Battle Banners in Xiamen, China 2020, Wechat, translate
self-made reflection screens, wedding photos Xiamen China 2020
Inkjetprints of ‘reclaimed negative’ of covered glaciers in summertime in the Alps.
self-portrait of an analogue photobooth in Berlin
Helmut Kohl, Blühende Landschaften,Kohle, Braunkohl, Lignite, mining, Lausitz, Germany, former GDR, ehemalige DDR, Gedenksteine, Memorial, disappeared villages, abbaggerung von dörfer, umsiedlung von Menschen, Energie, energy sources, flooded holes in the earth, tourism, unemployment, sorben, reclaiming negatives, instant photography, presence and history, Kohle Ausstieg, KINDL Berlin, Sammlung Hoffmann, Berlin
Kohle Ausstieg, KINDL Berlin, Sammlung Hoffmann, Berlin,Helmut Kohl, Blühende Landschaften,Kohle, Braunkohl, Lignite, mining, Lausitz, Germany, former GDR, ehemalige DDR, Gedenksteine, Memorial, disappeared villages, abbaggerung von dörfer, umsiedlung von Menschen, Energie, energy sources, flooded holes in the earth, tourism, unemployment, sorben, reclaiming negatives, instant photography, presence and history,finished lignite mining places in Lusatia, where lakes and harbours should arise
reclaimed negatives, analogue photography, polaroid camera, Berlin, Ampel in drag, out of order, masks, monsters, scary monsters, super creeps, kameleon, hiding the daily
Sammlung Hoffmann, Nationalmuseum Berlin, Johannes Schwartz, Hester Oerlemans, Marike Schuurman, Ludwig Seyfarth, c-print Berlin, Barbara Thiel,automat; photobooth; photoautomat berlin; street sculptures; reclaimed negatives, analoque photography, instant photography, polaroid camera
photobooth, analogue photography, berlin, reclaimed negatives, polaroids, instant photography, street photography, automat, marike schuurman, johannes schwartz, hester oerlemans, nationalmuseum, ludwig seyfarth
São Paulo, Clean City Law, visual pollution, no public ads, naked city, brutalist architecture, expired polaroids, digitalization, removing dust in photoshop,inkjets, Time Zero, Marike Schuurman, Anne Ethelberg, Galerie Hamish Morrison Berlin, liquid gloss
shadow village, sun, mirror, shadow, light, viganella, italy, genius, mayor midali, photography, sammlung hoffmann, collection hoffmann berlin,
Marike Schuurman, photography, Ostsee, Meer, windschirme, sichtschirme, public/private gdr, eastern europe sea, windscreens, sightscreens, no seaview, barrier, border, grenze, sichtgrenze, kein meer sehen
São Paulo, Clean City Law, visual pollution, No Logo, no adverstisemnets in public space, brutalism, minoçao, fascism, living ads
private/public; berlin; men pissing in public; men pissing at the same spot
Beijing; Olympic games 2008; building sites; private/public; sleeping on the street; chinese sleeping everywhere; bad working conditions; photos from the window above; art-district 798 Beijing; Platform China; residency Mondriaanfonds; Stephaan Dheedene; Tere Recarens; Manuela Lietti; Liu Gang; Marike Schuurman in Beijing
Beijing 2008; olympic games 2008 Beijing; chinese dream; Birdsnest; Ai Weiwei; Herzog & de Meuron, Manuela Lietti, Reality, a perfect simulation
Beijing 2008; olympic games 2008 Beijing; chinese dream; Birdsnest; Ai Weiwei; Herzog & de Meuron
Traceurs; Parkour, Parkour one berlin, Paris, art of movement, escape technique from vietnam war, Georges Hébert, Raymond Belle, David Belle,Lisses, France, independent movements through the city
Plots, huge banners in public space, Berlin, doubling architectural buidings in images, building sites, fall of the berlin wall, two cities become one, scaffolding, making things invisible by huge images, geir haraldseth, jurriaan benschop, Exhibition 'Werbung' in Autocenter Berlin, Berlin-Amsterdam, folded or tilted realities, Art Amsterdam, Erika Hoffmann, Rijksakademie Amsterdam, Sammlung Hoffmann Berlin, Lillestrøm, Norway, The world is bigger than Schijndel, Hester Oerlemans, Marike Schuurman, photoshopped reality, the truman show, Anne Ethelberg, Funkturm, Deutsche Oper, Olympisches Stadion, Schloß Charlottenburg, Potsdamer Platz, WTC NYC
throwing in windows, vandalism, left villages eat germany, Spremberg, Marike Schuurman, broken windows, agression, poverty, perspectiveness, unemployment, consequences of the fall of the wall
Groß Dölln, Schorfheide, Beelitz-Heilstätten, Teufelsberg, Altes Lager, Brandenburg, cold war germany, russian occupied zones, american occupied zones, english occupied zones, french occupied zones, little moscow, vandalism, post-communism, showing time
snow, mountains of snow, Helsinki, temporary mountains, impossible traces, covering cars, car-covers, making things invisible
perfect sight, vision 20-20, pilots, mysterious marks and codes on facades of metropolitan buildings. They suggest a system, marking off territories, claiming space, TENT Rotterdam, Arno van Roosmalen, Stroom Den Haag
no mirror image in mirror; imposssible truth; making use of technical camera
Paris 2000, L'oeuil du Nord, Institut Néerlandais, Willem van Zoetendaal, Johannes Schwartz, Paul Kooiker, Atelier Néerlandais, Bibliothèque F. Mitterand, Cimetière de Montparnasse, Tour de France
Schipper-Bosch; Schoonderbeek; Amersfoort, Arnhem, Out of windows, rear window, architecture, environment of architecture, difference betwee inside buildings and outside, Italy, highway, traffic jam, accident; walking on highway, waiting in the street, people as statues in public
wall with gap; short-cut; Amsterdam East 1996; Marike Schuurman; how people act in public; how people use public space; individualism; burgerlijke ongehoorzaamheid, KPN art collection
wall with gap; short-cut; Amsterdam East 1996; Marike Schuurman; how people act in public; how people use public space; individualism; burgerlijke ongehoorzaamheid, KPN art collection